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İstanbul Airport Mosque Proposal 01: low prayer building and tall minaret

İstanbul Airport Mosque 01

İstanbul Airport Mosque Proposal 01: low prayer building and tall minaret
İstanbul Airport Mosque Proposal 01: low prayer building and tall minaret

İstanbul Airport Mosque 01

İstanbul Airport Mosque Proposal 01: low prayer building and tall minaret

The design adopts the simple, mud-brick-walled courtyard masjid of the Prophet’s time as an archetype, moving away from the symbolic form that mosque architecture has been reduced to over time. By abstracting the traditional “göz” (bay) module, the dome gives way to coffered beams running in both directions; structural repetition brings the vast prayer space down to human scale.

Location

Istanbul, Türkiye

Client

İGA Havalimanları İnşaatı Adi Ort. Tic.

Year

2020

Status

Concept

Program

RELIGIOUS ARCHITECTURE

Design Team

Abdurrahman Çekim, Sevilay Uğur Çekim, Çağla Makara, Behlül Kıryolcu

Prayer hall under light filtering through a triangulated ceiling
Timber-columned prayer hall with light patterns on the floor
Column with calligraphy and patterned façade in the prayer hall
Timber columns and people praying in the hall
Wide prayer hall with a triangulated structure
General view of the prayer hall with columns and light patterns
Distant view of the mosque and minaret with trees
Exterior façade with calligraphy and the minaret behind
Side view of the mosque with an olive tree and minaret
Tall wall with calligraphy and people in front
Façade with calligraphy and the grassy ground in front
Long arcade beneath a triangulated canopy
Prayer hall in dim light with rows of columns
Sheet explaining the design process with plan, section and diagrams
Elevation drawing of the mosque with trees
Section drawing of the mosque

Approach

0.1. The Development of Mosque Architecture

As will be recalled, the courtyard of the Prophet Muhammad’s house in Medina was simply a square space enclosed by mud-brick walls, with a colonnade on one side covered with palm leaves, and the courtyard served as the mosque. With its spatial qualities, this masjid stood as an expression of a space of equality, free of all hierarchy. Turned inward, towards silence and purification, it represents an important point for mosque spaces. The Basra Mosque (635), the Kufa Mosque (638) and the Mosque of Amr in Fustat (641), built with only a flat roof carried on columns, where the unity of outside and inside continued uninterrupted and people could see infinity without any limit, are important examples. (Turgut Cansever – Mimar Sinan, p. 61)

Over a long period, mosque architecture took its present form through many changes and distortions. Mosques became objects, more a means of being seen and of display. In this context, the spatial qualities of the first known masjid, with a simplicity and clarity that also express humility, became a kind of proposed archetype for mosque architecture, and this is what shapes our overall approach.

0.2. The Relationship Between Spatial Layout and Structure

Through the modules called “göz” (bay) used in Anatolian and Islamic architecture, courtyards and prayer areas were defined, and rich relationships were achieved in arranging open, semi-open and enclosed spaces. At the same time, by repeating the unit modules that formed the structure, the aim was to bring vast prayer spaces down to human scale.

Alongside the historical and social processes that have shaped mosque architecture to this day, structural requirements are the most important factor defining a mosque’s inner and outer form. Using reinforced concrete construction today merely to repeat Classical Ottoman mosque architecture, now reduced to form and turned into a symbol, would be a rather shallow approach. For this reason, by abstracting the “göz”, the basic structural unit of traditional Ottoman architecture, the dome gave way to coffered beams formed by sections running in both the x and y directions.

Phases

Gallery

  • Prayer hall under light filtering through a triangulated ceiling
  • Timber-columned prayer hall with light patterns on the floor
  • Column with calligraphy and patterned façade in the prayer hall
  • Timber columns and people praying in the hall
  • Wide prayer hall with a triangulated structure
  • General view of the prayer hall with columns and light patterns
  • Distant view of the mosque and minaret with trees
  • Exterior façade with calligraphy and the minaret behind
  • Side view of the mosque with an olive tree and minaret
  • Tall wall with calligraphy and people in front
  • Façade with calligraphy and the grassy ground in front
  • Long arcade beneath a triangulated canopy
  • Prayer hall in dim light with rows of columns
  • Sheet explaining the design process with plan, section and diagrams
  • Elevation drawing of the mosque with trees
  • Section drawing of the mosque

Location